Introduction:
Arthur Miller was
one of the most shining stars of American Literature. He was more famous for
his works especially for plays which have been written by him. He was born on October
17, 1915 at New York City. He started to write plays when he was studying at University
of Michigan. Several plays were written by him who also won the prizes and some
of his works like
Ø All my sons
Ø Death of a Salesman etc.
Death of a Salesman
also won Pulitzer Prize. Miller gained eminence as a man who understood the
deep essence of the United States. He published The Crucible in 1953, a
searing indictment of the anti-Communist hysteria that pervaded 1950s America.
He has won the New York Drama Critics Circle Award twice, and his Broken
Glass (1993) won the Olivier Award for Best Play of the London season.
The basis for the
dramatic conflict in Death of a Salesman lies in Arthur Miller’s
conflicted relationship with his uncle, Manny Newman, also a salesman. Newman
imagined a continuous competition between his son and Miller. Newman refused to
accept failure and demanded the appearance of utmost Confidence in his
household. A half century after it was written, Death of a Salesman remains a powerful drama. Its indictment
of fundamental American values and the American Dream of material success may
seem somewhat tame in today’s age of constant national and individual
self-analysis and criticism, but its challenge was quite radical for its time.
Death of a Salesman, Miller’s most famous work, addresses the
painful conflicts within one family, but it also tackles larger issues
regarding American national values. The play examines the cost of blind faith
in the American Dream. Although the war had ostensibly engendered an
unprecedented sense of American confidence, prosperity, and security, the
United States became increasingly embroiled in a tense cold war with the Soviet
Union.
The propagation of myths of a peaceful,
homogenous, and nauseatingly gleeful American golden age was tempered by
constant anxiety about Communism, barrier racial conflict, and largely ignored
economic and social stratification. Uneasy with this American milieu of denial
and discord, a new generation of artists and writers influenced by existentialist
philosophy and the hypocritical post war condition took up arms in a battle for self-realization a depression of
personal meaning.
Such discontented
individuals railed against capitalist success as the basis of social approval,
disturbed that so many American families cantered their lives around material
possessions like cars, appliances, and especially the just introduced television
and other in an attempt to keep up with their equally
materialistic neighbours.
The climate of the
American art world had likewise long been stuck in its own rut of conformity,
confusion, and disorder following the pre-war climax of European Modernism and
the wake of assorted -isms associated with modern art and literature. The notions
of Sigmund Freud and Carl Jung regarding the role of the human subconscious in
defining and accepting human existence, coupled with the existentialist concern
with the individual’s responsibility for understanding one’s existence on one’s
own terms, captivated the imaginations of post war artists and writers. Perhaps
the most famous and widely read dramatic work associated with existentialist
philosophy is Samuel Becket’s waiting for Godot.
Now let’s discuss
about the characters of Willy Lowman in detail before going further
Willy Lowman is the
major character of this play and Arthur Miller has given more space as well as
more given significance to him. So it can be said that Willy Lowman is the
mouth figure of the writer-Arthur Miller.Willy does not achieve the self-realization
or self-knowledge typical of the tragic hero. The quasi-resolution that his
suicide offers him represents only a partial discovery of the truth. While he
achieves a professional understanding of himself and the fundamental nature of
the sales profession, Willy fails to realize his personal failure and betrayal
of his soul and family through the meticulously constructed artifice of his
life.
Willy’s
failure to recognize the anguished love offered to him by his family is crucial
to the climax of his torturous day, and the play presents this incapacity as
the real tragedy. Despite this failure, Willy makes the most extreme sacrifice
in his attempt to leave an inheritance that will allow Biff to fulfil the
American Dream. Willy does experience a sort of revolution. As he finally comes
to understand that the product he sells himself. Through the imaginary advice
to Ben, Willy ends up fully believing that his early assertion to Charley that
“after all the highways, and the trains, ans appoinmnets, and the years, you
end up worth more dead than alive.
Earnest Hemingway was one of the most exceptional
writers of the American literature. He was renowned for his novel as he has
contributed in the world of literature. His full name was Earnest Miller Hemingway,
who was born in Oak Park, Illinois, in 1899. In 1921,
Hemingway moved to Paris, where he served as a correspondent for the Toronto Daily
Star. In Paris, he fell in with a group of American and English expatriate
writers that included F. Scott Fitzgerald, Ezra Pound, Gertrude Stein, and Ford Madox Ford.
In the 1930s, Hemingway
lived in Key West, Florida, and later in Cuba, and his years of experience
fishing the Gulf Stream and the Caribbean provided an essential background for
the vivid descriptions of the fisherman’s craft in The Old Man and the Sea.
Some of his works like
Ø
The Sun also Rises
Ø
The adventures of a young
man
Ø
The Garden of Eden
Ø
The Old man and the sea
Because Hemingway was a writer who always relied heavily on
autobiographical sources, some critics, not surprisingly, eventually decided
that the novella served as a thinly veiled attack upon them. According to this reading,
Hemingway was the old master at the end of his career being torn apart by but
ultimately triumphing over critics on a feeding frenzy. But this reading
ultimately reduces The Old Man and the Sea to life more than an act of
literary revenge. The more compelling interpretation asserts that the novella
is a parable about life itself; in particular man’s struggle for triumph in a
world that seems designed to destroy him.
The huge success of The
Old Man and the Sea, published in 1952, was a much-needed vindication. The
novella won the 1953 Pulitzer Prize for Fiction, and it likely cinched the
Nobel Prize for Hemingway in 1954, as it was cited for particular recognition
by the Nobel Academy. It was the last novel published in his lifetime.
Although the novella helped
to regenerate Hemingway’s wilting career, it has since been met by divided
critical opinion. While some critics have praised The Old Man and the Sea as
a new classic that takes its place among such established American works as William
Faulkner’s short story “The Bear” and Herman Melville’s Moby-Dick, others
have attacked the story as
“imitation Hemingway” and find fault with the author’s departure from the
uncompromising realism with which he made his name.
A great fan of baseball,
Hemingway liked to talk in the sport’s lingo, and by 1952, he badly “needed a
win.” His novel Across the River and into the Trees, published in
1950, was a disaster. It was his first novel in ten years, and he had claimed
to friends that it was his best yet. Critics, however, disagreed and called the
work the worst thing Hemingway had ever written. Many readers claimed it read like a parody of
Hemingway. The control and precision of his earlier prose seemed to be lost
beyond recovery.
Because Hemingway was a
writer who always relied heavily on autobiographical sources, some critics, not
surprisingly, eventually decided that the novella served as a thinly veiled attack upon them. According to this reading, Hemingway
was
The old master at the end of his career being torn apart by—but ultimately
triumphing over—critics on a feeding frenzy. But this reading ultimately
reduces The Old Man and the Sea to little more than an act of literary revenge. The more
compelling
Interpretation asserts that the novella is a parable about life itself; in
particular man’s struggle for triumph in a world that seems designed to destroy
him.
Now let’s elaborate the character of Santiago in “The Old man and the sea”.
Santiago is the major
character of the novel “The Old man and the sea”. He plays a vital role in this
novel. He is the mouth figure of the writer Earnest Hemingway so through this
character the author conveys his ideas and shows the struggle of life by
putting the struggle of the Old man as he is referred in the novel as a
Santiago. He is old man but yet he fights with the fish and kills him he also
remains optimistic as he couldn’t catch any fish for so many days therefore I
can say that He possesses also heroic qualities as he dreams of lion and fights
with the fish continuously three days and it is very much difficult to fight
with uncontrollable thing so He becomes also hero of the boy.
Moreover, Santiago suffers terribly
throughout The Old Man and the Sea. In the opening pages of the
book, he has gone eighty-four days without catching a fish and has become the
laughingstock of his small village. He then endures a long and gruelling
struggle with the marlin only to see his trophy catch destroyed by sharks. Yet,
the destruction enables the old man to undergo a remarkable transformation, and
he rests triumph and renewed life from his seeming defeat. After all, Santiago
is an old man whose physical existence is almost over, but the reader is
assured that Santiago will persist through Manolin, who, like a disciple,
awaits the old man’s teachings and will make use of those lessons long after
his teacher has died. Thus, Santiago manages, perhaps, the most miraculous feat
of all: he finds a way to prolong his life after death.
Santiago’s
pride is what enables him to endure, and it is perhaps endurance that matters
the most in Hemingway’s conception of the world, a world in which death and destruction,
as part of the natural order of things, are unavoidable. Hemingway seems to
believe that there are only two options defeat or endurance and destruction;
Santiago clearly chooses the latter. His stoic determination is mystic, nearly
Christ like in Proportion. For three days he holds fast to the line that links
with the fish, even though it cuts deeply into his palms causes a crippling
cramp in his left handmaid also ruins his back. This physical pain allows
Santiago to forge a connection with the marlin that goes beyond the literal link;
his bodily ashes attest to the fact that he is well matched, that the fish is a
worthy oppenet, and that he himself. Because he is able to fight so hard, is a
worthy fisherman.
As a Protagonist:
In “Death of a Salesman”, Willy Lowman is a major character
and though he is a fictional character but the protagonist of the play “Death
of a Salesman” which is written by Arthur Miller. Lowman is a 63 years-old
travelling salesman from Brooklyn with 34 years of experience with the same
company who endures a pay cut and a firing during the play. He has difficulty
dealing with his current state and has created a fantasy world to cope with his
situation. This does not keep him from multiple suicide attempts.
While in the novel “The
old man and the sea” by Hemingway Santiago possesses very significant role. He
is protagonist of this novel so through the character of him Hemingway shows or
he rather tries to indicate the struggle of an Old man and human life as an Old
man struggles for his life in this novel.
As a tragic figure:
“Death of a Salesman” is a
Will’s play and everything revolves around his character .So during the last 24
hours of his life. All of the characters act in response to Willy Lowman,
whether in the present or in Willy’s recollection of the past.Willy’s character,
emotions, motivations and destiny are developed through his interactions with
others.
The play begins and ends in the present, and
the plot occurs during the last two days of Willy’s life, however, a large
portion of the play consists of Willy’s fragmented memories, recollection and
recreation of the past, which are spliced in between scenes taking place in the
presents. So he is referred here as a tragic figure.
On the other hand in the novel ‘The Old man
and the sea’ the old man or we can say Santiago can be indicated as a tragic
figure as up to he remains without catching any fish of so many days but after
that he starts to fight as he wants to kill the fish so after that the old man
comes back and sleeps but in the novel it is not shown that he dies or not.
Therefore he can be considered as a tragic figure.
Man of struggle:
Willy is an individual who craves attention
and is governed by a desire for success. He constantly refers to older brother
Ben, who made a fortune in a diamond mining in Africa, because he represent all
the things wily desires for himself and his sons. Willy is forced to work for
Howard, the sun of his old boss, who fails to appreciate Willy’s previous sells
experience and expertise. Ben on the other hand simplify abounded the city, explore
the African and American continents, and went to work for himself as a result
after four years in the jungle, Ben was a rich man of the age of the 21, why Willy
must struggle to convince Howard to let him work him New York for a reduce salary
after working for the company for years. So here Willy is a man of struggle.
On the other side in the
novel The old man and the sea, Santiago’s struggle has been shown in the other
words we can also say that story moves around the character of Santiago and his
struggle as he remains without catching a fish up to 84 days and also when he
fights with the fish, struggles a lot. Therefore, struggle is indicated here in this
novel.
Conclusion:
Wily Lowman man is
fictional character of the death of the sales man, and Santiago is a major
character of Hemingway’s The old man and the sea, Here some aspects resemble with
each other in this two characters like Santiago dares a tragic figure and Wily
to both have struggle in their life and both are principal character.
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